Inspired by Utagawa Kuniyoshi’s dynamic battle scenes featuring tengu and warrior monks, this work reimagines the classic Edo-period iconography through the playful vocabulary of Pephistory. The composition preserves the characteristic intensity of Kuniyoshi’s prints: diagonals formed by staffs and weapons, tightly choreographed movement, and the expressive faces of both human and supernatural fighters. At the center, Pepe takes the role traditionally occupied by a monk-warrior (sōhei), his calm determination contrasting with the fierce energy of the tengu surrounding him. The winged, long-nosed mountain spirits remain faithful to their Edo representations, half-divine, half-menacing beings who test human resolve. The cracked parchment texture, muted pigments, and linework evoke the aging surfaces of 19th-century woodblock prints, anchoring the parody firmly within its historical lineage. This piece pays homage to Kuniyoshi’s theatricality and his fascination with hybrid beings and legendary battles, fusing folklore, humor, and historical style into a single narrative tableau.