The Wrong Biennale is a global art event dedicated to showcasing bold, boundary-pushing creativity across hybrid, virtual, and physical platforms. It functions as a laboratory where both emerging and established artists engage with contemporary culture and its aesthetic frontiers. Founded in 2013 as an independent, non-profit, and proudly decentralized initiative, The Wrong Biennale has since flourished into a multi-branched international phenomenon. Over the past decade, it has become a key reference point in the digital art landscape, presenting the work of more than 10,000 artists through over 800 curated pavilions across every continent. For the 2025 edition, one of the participating pavilions is curated by Copenhagen-based artist and photographer Kasper Bergholt. His exhibition, titled Moons, Castles, Trees | AI Chronotopes, invites global submissions of still imagery that engage critically or poetically with the theme of Artificial Intelligence—drawing inspiration from three nouns and three verbs in “Cinnamon Horses” by Nick Cave. Participating artists may submit up to six images each. Selected works will form part of a publicly accessible online exhibition hosted on chronotopes.net. The pavilion will remain live and freely viewable for at least five years, providing long-term visibility for contributing artists and offering audiences an opportunity to revisit and reflect on these AI-themed visual narratives well into the future.