Synesthetic Horizon came from wondering what would happen if sound could actually look like something, if you could see rhythm the way you hear color. I kept thinking about Wassily Kandinsky, how he talked about painting being visual music. That stuck with me. So I started playing with the idea: what if every curve and line worked like a note? What if color could carry a chord progression? The greens, violets, and blues, I think of those as the harmony. The black lines and dots? They're threading through like a melody you can almost hum. Some shapes crash into each other, then pull apart. It feels like tension and release, the way music does. I wanted the whole thing to unfold more like a song than a static image. The algorithm I built has this loose, reactive quality: Precise, but not rigid. It's like improvising within a structure, where the math gives you the framework but doesn't dictate every move. That reflection at the bottom is kind of an echo. It softens the edge between what's solid and what's fading, between the clear notes and the silence around them. What you end up with isn't really a place or a scene. It's more like a feeling. A moment of resonance. I guess what I'm hoping is that people might listen with their eyes for a minute. Maybe feel the hum underneath all that color and geometry.