Romanesque sculpture was inseparable from church architecture: tympana and portals became stone sermons for the faithful. Stylized saints, prophets, and monsters embodied both salvation and fear, their rigid geometries transmitting spiritual truths rather than natural likeness. These sculpted façades transformed thresholds into narratives of eternity, guiding believers from earthly space toward divine judgment. The piece evokes low-relief stone carving, with symmetrical layouts, austere frontal poses, and rigid folds of drapery characteristic of Romanesque portals. Pepe appears enthroned, blessing with hieratic solemnity, yet his presence humorously unsettles the theological gravity of the medieval message.