Un montaje de fricción: fotografía intervenida por cortes abruptos, teatralidad fragmentada y mutaciones gráficas que convierten cuerpos en estructuras. El humor doméstico latinoamericano, la escoba, la pala, el enfrentamiento absurdo, es desplazado hacia un escenario brutalista donde cada transición parece un falso final. Entre blanco y negro y figuras recortadas, la narrativa se desarma mientras dos mujeres ejecutan una confrontación infantil cargada de tensión urbana e ironía social. A montage of fiction and photography disrupted by abrupt cuts, theatrical gestures, and fragmented graphic transformations that turn bodies into structures. The everyday humor of Latin America, with its brooms, shovels, and absurd confrontations, is transplanted into a brutalist landscape where every transition feels like a false ending. Moving between black and white imagery and cutout figures, the narrative gradually unravels as two women engage in a childish clash charged with urban tension and sharp social irony. Video-Art. 4K 3840 × 2160 00:18 Presented as part of the Calles Insolentes exhibition, this work originates from an original photograph by Luis Carlos Ayala, transforming the source image into a new visual narrative shaped by contemporary artistic intervention