Francisco Goya’s Black Paintings are among the most haunting works in Western art, embodying nightmare, despair, and the abyss of human cruelty. Painted directly onto the walls of his house, the Quinta del Sordo, in the 1810s, they reflect the artist’s profound disillusionment with politics, religion, and mankind itself. In Saturn Devouring His Son, myth becomes horror: the titan consumes his child in a frenzy of violence, rendered with raw brushwork and engulfed in shadow. Here Romanticism turns inward, abandoning grandeur for a vision of existential terror that still unsettles the modern gaze. The piece recalls the dark oils, muddy ochres, and rough, expressive strokes of Goya’s late style. In this parody, Pepe supplants Saturn or the victim, an absurd presence intruding upon one of art’s most terrifying allegories, comic ghost haunting a scene of horror.