In the sanctuaries of the Upper Paleolithic, shamans engraved symbols into the rock, transforming stone into a threshold between the human and the divine. These marks were not ornamental but sacred: condensations of magical and religious beliefs, used as instruments of initiation and propitiation. The cave itself functioned as a cosmic chamber, where the flicker of torchlight animated animals, signs, and abstract forms, producing an experience at once ritual, visionary, and transcendent. This piece recalls the engravings and paintings of Lascaux and Altamira, with schematic figures, earthy pigments, and simplified silhouettes. The insertion of Pepe into this archaic visual grammar generates a playful temporal short-circuit: a contemporary internet icon woven into humanity’s earliest symbolic language.