BETWEEN MATTER AND SOUL explores the invisible boundary between the physical self and the infinite within. A fractured Renaissance figure exists between two realities—one formed from ancient marble, the other from luminous constellations and cosmic energy. Golden kintsugi seams unite both halves, suggesting that the fractures between what we can touch and what we can only feel may be the very places where something greater is revealed. Created as part of the BEYOND THE VISIBLE collection, this piece represents the tension between body and spirit, permanence and infinity, matter and soul.