Oil and Varnish on a printed dokumentation about the recovering and filming of Titanic, painted in 2001. This imagined prototype was painted onto a photograph of the reconstructed Titanic set, the dark hull becomes a grandstand for its presentation, with former waving extras turned into spectators above. The car itself seems almost overwhelmed by the ambitions of its own engineers. What emerges is less a display of power than a strangely vulnerable vision of the future.