Woooah... ~~~ Ouuuuh... ~~~ Computational textures and patterns that resemble the geometric motifs of the native cultures of Northwestern Argentina. This overlap between the artisanal and the computational reinforces the idea of the digital baroque, where ornamentation is not just aesthetic but also carries cultural information. The pixelation of native iconography can be seen as a process of reduction and synthesis, but also as a form of coding and storage. Aesthetic and communicative function, visual structures. "Info Baroque" becomes an aesthetic of excess, where the overload of data and patterns is not just decoration but a form of cultural memory that resonates with the ancestral.