A thin line connects a solitary orange point to an angular presence across the grid. Around them, a field of measured marks turns distance into tension. Everything is still, yet the possibility of pursuit shapes the entire scene. PREY holds the moment before movement—when being seen becomes exposure, and another’s attention becomes a threat. The predator waits. The distance remains. Part of CONCEPT, a collection created entirely through code. Every artwork is constructed through programming, using computational rules to give visual form to an idea.