Roman Emperor Elagabalus deconstructed through high-key spectral solarization. The Palatine palace architecture and ivory daybed dissolve into brilliant Mediterranean glare, leaving only electric neon traces of Greer Lankton’s hand-wrought muslin seams, elongated limbs, and sunken kohl-rimmed gaze. A study in imperial decadence and trans/queer sovereignty stripped of shadow, lingering like raw photographic energy on cracked Roman plaster.