Pixlosophy III is the long-awaited third chapter in my exploration of art, philosophy, and digital mythology. These works — Alien Mother, Boneheaded, Cyber Mage, Stone Machine, Hoover Cells, and more — are archetypes that question creation, death, labor, obedience, madness, and transcendence in the age of code. Each piece is minted as a multi-creation token on Transient Labs’ ERC7160TL contract. This means the works are not static: every token is a vessel capable of holding multiple creations. Over time, I will expand them with alternate states, hidden layers, and evolving chapters, ensuring each collector holds a living artwork with permanent provenance. This collection marks a turning point in my practice. Pixlosophy III had to be completed before I could continue into my next major project, Flesh and Code. Collectors of this series will be the first to gain exclusive early access to that journey, bridging pixels into matter, myth into materiality. Pixlosophy III — a living mythology, sealed on-chain, and a passage into Flesh and Code.
Inspiration
For a long time, these works existed as fragments — half-finished images, notes, and mythological sketches scattered through my practice. They kept resurfacing in my process, like archetypes demanding to be completed. I realized that before I could move on to my next chapter, Flesh and Code, I had to give these visions their place, to acknowledge them as part of my artistic journey. Minting them felt necessary, not just as a way to release them publicly, but as a way to archive them truthfully. By using Transient Labs’ ERC7160TL contract, each piece becomes more than a static token — it becomes a vessel that can hold multiple creations, an object that can evolve as I evolve. This idea of a multi-creation token resonates with me deeply: it allows the work to remain alive, to change with time, and to carry its own history forward. In that sense, Pixlosophy III is both an archive and a time capsule. It captures where I am in my exploration of AI as a medium, blending philosophy, mythology, and technology, while leaving space for these works to grow in the future. For me, provenance isn’t only about ownership — it’s about memory, continuity, and giving my process a permanent anchor on the chain. Completing this collection is my way of setting sail. It closes one chapter and opens the door to Flesh and Code, where these philosophical and digital experiments will take on new, material forms.