Here, bodies from the Renaissance era come into play, striking dynamic poses. They intertwine with elements of living nature, with flowers — symbols of new beginnings. But what does this rebirth mean for us today? The Renaissance human was homo universalis — a multifaceted being who developed their talents in various guises. This recalls the modern person, burdened by new technologies, screens, and communication networks, who is forced to be multidisciplinary, multilayered, and multidimensional. Modern humans, like the root of all beginnings, sprout into a multifaceted network of new paths. But here lies the paradox: in this new digital context, we are not merely creating new roads — we are effectively recreating ourselves as digital flowers in the field of infinite cyberspace. So what is the value of these new digital bodies? They are not just symbols of new paths; they represent our striving for immortality, our struggle against finitude. In this struggle, there is something profoundly human, yet at the same time post-human. We are not simply living in a new reality — we are reformatting the very concept of life and existence.