This series is born from a formal and symbolic research process that runs through much of my artistic practice. They are autonomous pieces, but also fragments of the same universe, where matter curves, folds, cuts, or is pierced to manifest a primordial tension: the tension that holds the world between opposing forces. Fullness and emptiness. Stability and dynamism. Interior and exterior. Brilliance and opacity. Each sculpture embodies that pulse without trying to resolve it. Because it is on that unstable edge that the most vital questions arise, and where form ceases to be object to become embodied thought. Each one functions as a station along an open journey, where the sculptural and the architectural intertwine. Some seem like artifacts from a suspended time; others, reliquaries of what has not yet arrived. Some embrace gravity; others spin, open, or burst. Yet all pursue the same goal: to capture the elusive, to halt becoming, to construct a memory of what does not yet exist. The work with metallic surfaces—polished or oxidized—emphasizes that dialectic between permanence and decay, between artifice and erosion. Digital modeling does not replicate reality: it stretches it. It allows these forms to be projected into other scales, other natures, other contexts. Enigma of Opposites is also a series conceived to exist on multiple planes: Each piece is born as a digital sculpture, presented in high-resolution render and animation, but within its form lies the possibility of materialization. All models are developed as 3D files ready for printing, and have been designed with proportions and materials intended to reach between 3 and 8 meters in physical realization, depending on the case. A geometry that could inhabit both the metal and light of the real world, and an entirely generated universe. Ultimately, this is a choreography of tensions turned into volume. A search for beauty not as ornament, but as revelation: where matter, pushed to its own limits, begins to say something more: The mystery of opposites, that law everyone recognizes, of which little is spoken, and which goes unquestioned.