This collection emerges from a gesture both simple and radical: beginning with pure code – generative algorithms, random walks, gradients, and procedural forms – and deliberately steering it away from its neutral, functional domain. Each work is a diverted execution: code, originally intended to create order, pristine beauty, or predictable patterns, is compelled to speak in a visual language that is conceptual, mysterious, and brutal. There is no consoling harmony. Petals that cut, water lilies that stare like diseased eyes, electronic waste drifting through digital abysses, red flowers suffocating crushed cans, violet fragments falling like hypnotic blades — the result is an aesthetic of contemporary unease.